Rene Burri
雷内·布里于1933年出生在瑞士苏黎世。他回忆起那个时期，觉得那是一个威胁般的狭隘时代，这种感觉并非源于政治气候，而是来自于遮挡他视野的瑞士山脉，这些山脉让他无法看到世界的广阔。1949年，他进入了苏黎世应用艺术学院（Zürcher Kunstgewerbeschule）的摄影课程，在这里受到了汉斯·芬斯勒等导师的影响。
1955年，雷内·布里在比肖夫的邀请下进入玛格南图片社，他的首个图片报道便获得了全球性关注——发布于《Life》杂志的聋哑儿童专题《Touch of Music for the Deaf》。1956年，布里开始其贯穿欧洲、中东的旅行，并在拉丁美洲完成了关于牧羊人的报 道。1959年正式成为玛格南成员后，布里着手完成自己的第一本摄影画册——《Die Deutschen》，同年在古巴拍下了著名的切·格瓦拉叼着雪茄的照片。布里还参与了1965年Magnum Films的创建，并在中国拍摄六个月，为BBC完成纪实片《The Two Faces of China》。除了摄影外，布里还积极活跃于绘画等艺术领域。
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雷内·布里
Rene Burri
1933-2014
1998年，布里获博士学位，并得到了由德国摄影协会颁发的埃里系·所罗门奖，1999年获苏黎世文化奖；2006年，布里被英国皇家摄影学会授予荣誉院士，这荣誉是颁发给在科学和摄影美术方面有自己独特的立场和造诣的学者。
尽管布里见证了政治和历史进程，但他从未用简单的新闻摄影的方式来思考问题。从一开始，他就凭借着自己训练有素的艺术家的目光，从我们这个世界所发生的事件中发现强烈的隐喻。由于具备了这个品质，加上他的深沉的人文主义情感，因此他的作品具备一种高度的文化和艺术的价值，从而成为了所谓“世界摄影”的一部分。于他而言，从生活里汲取创作素材，描绘理想以及乌托邦潜在的缺点，总比描绘毁灭和混乱，更能丰富他的灵感。
代表作品
切·格瓦拉（1962）
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《毕加索》
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《The Two Faces of China》
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《古巴》
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观点
我从布列松那里学了很多，跟着他，观察他。我记得他把照片倒过来观察照片的构图。 —— Rene Burri
现在每个人都知道一切，我们必须深入现实之外，提出个人的视角。摄影师必须更多地成为‘作者’，以应对信息化的一代。 —— Rene Burri
如何成为一个好的摄影师？“一点好奇心，一点进取心，再加一点策略心。人人都能拍照，所以你得有自己的想法。”—— Rene Burri
评论
雷内·布里正是马丁·绍布曾经定义的‘完美摄影师’。在这里，‘完美’意味着一种合乎逻辑、自主的道路，他成功地将深思熟虑的反思、自由和专注结合在一起。（迈克尔·科茨尔，德国著名摄影评论家、作家和编辑）
“他不仅是最伟大的战地摄影师之一，还是我所有幸相识的人之中最宽宏 仁厚的一位。他对玛格南的贡献、他在故事叙述上无与伦比的才华、以及他为大家所带来的欢乐，正是他所留下的无可估量的遗产之一。" ——玛格南图片社主席Martin Parr
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